Studio member Layne Verbeek at the Signature Show Ottawa

Check-out Layne Verbeek’s interview about his glass process on Ottaw’s CTV news!

Congratulations Layne!

http://ottawa.ctvnews.ca/video?clipId=1260937

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Studio member Layne Verbeek at the Signature Show Ottawa

27 International Sculpture Conference Day 1, part 2

The second tour took place at Zahner. “For over 120 years Zahner has pushed the limits of metal craft and design. Truly at the intersection of art and architecture their team of expert artisans, engineers, and craftspeople bring decades of knowledge to each project with a focused, collaborative approach.” They have worked with such architects like Frank Gehry and the late Zaha Hadid, along with numerous sculptors ie: Jan Hendrix, Ewerdt Hilgemann, Anthony Howe, Suikang Zhao and the late Sol LeWitt. Their concerns go beyond the fabrication and Installation with Metalabs a Zahner affliliate to ensure the longevity of their metal works through maintenance and restoration services. They are in the final phase of their new office building. Not ones to do anything in a less than extraordinarily innovated way, they willingly test their new concepts on themselves with the aluminum and zinc clad structure. The interior space is spectacular with an exposed sculptural structure, raised metal rimmed compressed concrete tiles that hide wires, heating etc. that can be reconfigured if needed. Unfortunately my pictures do not do the exterior justice, as the shadowed ripples were not visible to the naked eye. Coincidentally the president of the company parents live in Toronto around St Clair Avenue West.   azahner.com

 

27 International Sculpture Conference Day 1, part 2

International Sculpture Conference day 1

The day began with a tour of the Belger Crane Yard studio complex. A more impressive gallery, ceramic, metal fabrication and lithography  studio would be hard to find. Not only is it immense,  (20,000 sq. ft if I am not mistaken) it is also a pristine work environment where everyone has respect for the facilities and keeps it amazingly clean. Everything has a dedicated space for: plaster, glazing, throwing, hand building, you name it they have it. Along with metal fabrication, lithography and a store where they have everything for your ceramic needs. With only about 75 artists working there you may never run into someone let alone rub elbows. It is incredibly affordable at $75 a month. They also have residency program. Hard to imagine that a place like this exists. http://www.belgerarts.org redstarstudios.org.

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International Sculpture Conference day 1

STUDIO MEMBER, NIKKI ASHWORTH’S STORY ABOUT “LITTLE SHOP OF HEARTS”

“Like many other modern origin stories, Nikki Ashworth’s “Little Shop of Hearts” was the result of the internet and dumb luck.

A custom anatomical heart cast in resin that was originally offered in exchange for a party dress on the popular Toronto Facebook page ‘Bunz Trading Zone’ created an unexpected demand from those who had no frock to swap. Nikki found her dress, and went on making hearts for others after identifying a niche demand. That furthered into wearable heart pendants, complete with an on line shop and various socials media accounts to promote her brand. She had struck upon her own personal “pet rock”.

The original heart design was part of a bigger concept piece. In the midst of the heart demand, Nikki has put her initial project on hold but does plan to complete it.

A genuine passion learning how to sculpt turned into a Little Shop of Hearts.”

-Nikki

 

STUDIO MEMBER, NIKKI ASHWORTH’S STORY ABOUT “LITTLE SHOP OF HEARTS”

Al Green Studio Artist; Mary Ann Grainger creates sculpture for 2017 Brain Project

Al Green Studio artist creates sculpture for the 2017 Brain Project

The Telus Brain Project (www.brainproject.ca) is a large-scale outdoor exhibit that brought brain health, art and imagination to the streets of Toronto to start a public conversation about brain health and to bring awareness to diseases like Alzheimer’s. 100 artists from around the world transformed blank brain sculptures into beautiful, energetic and though-provoking pieces of art. Funds raised through the project are donated to Baycrest Health Sciences, a global leader in brain health and aging.

Sculptor Mary Ann Grainger wanted to create a lace brain that would seem to magically float in the air. “Life and lace are both exquisitely fragile” says Grainger. “Life is the space between one breath and the next. Lace is the space between one knot and the next. When tied together into permanent knots, string becomes lace. When tied together through electrical charges, experiences become memories.” Grainger created this sculpture in honour of philanthropist and artist Al Green who recently passed away from Alzheimer’s.

But how to create such a brain? Mary Ann knew of Powertex and planned to use it to stiffen sewn-together doilies over the supplied brain sculpture form and mount it on a plexiglass pole. Simple, right? Unfortunately, there is no product that can stiffen fabric and withstand the 170-180 degree temperatures that the sculpture would be subjected to outdoors inside the display case. Faced with a great idea that would literally melt under the sun, she had to find a solution. She needed to build an “invisible armature” – an oxymoron if ever there was one!

After much experimentation, Mary Ann decided to create a plexiglass brain as an armature, even though she’d never worked with the material before. Learning by doing, she thermocast and trimmed plexiglass pieces with a multi-piece plaster cast of the brain sculpture form. Affixing the plexiglass pieces to each other was a challenge. Grainger ended up choosing 3M VHB tape which was used to adhere stainless steel to the outside of Frank Gehry’s Disney Concert Hall in Los Angeles. It worked. The armature itself was a unique sculpture, but its job was to never be seen.

Now it was time to make the lace brain.

Mary Ann sourced vintage doilies from local Toronto stores, hand-made doilies through etsy and ebay, and even antique doilies from a fabric shop on a trip to London, UK. She laid them out to create a pleasing visual pattern, then sewed them together into 3 larger sections. Each of these sections was then placed onto the brain sculpture form and impregnated with Powertex. The Powertex worked its magic and the final 3 large stiffened pieces were assembled over the plexiglass brain and, voila! A floating lace brain!

Mary Ann’s brain was purchased by Visionary Sponsors David & Stacey Cynamon raising $25,000 for Baycrest brain research.

You can see the full step-by-step process on Mary Ann’s instagram feed @MaryAnnGraingerArt or her website http://www.mmasstudio.com

Al Green Studio Artist; Mary Ann Grainger creates sculpture for 2017 Brain Project